Brendon Randall-Myers is a Brooklyn-based composer and guitarist working at various intersections of rock, experimental, theater, and classical music. Described as “fiercely aggressive but endlessly compelling” (The San Francisco Chronicle), "intricate and dynamic" (I Care If You Listen), and "massive in its impact" (Sarasota Herald-Tribune), his music aims to induce catharsis and trance/flow states via the repetition and amplification of simple materials. Brendon has written for classical musicians - pianists (Miki Sawada), string quartets (Friction Quartet), chamber ensembles (Exceptet), and orchestras (Omaha Symphony) - as well for cross-genre/experimental groups like Bang on a Can, Dither, and Bearthoven. His work has received support from the Jerome Foundation, New Music USA, New York State Council for the Arts, the Guitar Foundation of America, the Foundation for Contemporary Arts, and ASCAP.
Brendon co-leads Invisible Anatomy, a multimedia avant-rock ensemble described as “sometimes haunting sometimes hilarious and consistently mesmerizing,” (I Care If You Listen) and Marateck, “a gripping math-rock band, combining shattered, wiry abstraction with moments of delicate atmosphere” (Tone Madison). He is a member of the Glenn Branca Ensemble, and has conducted the group since Branca’s death in 2018. He is a member of the absurdist art-rock band Ecce Shnak, and performs frequently with Dither. As a freelancer, he has played with orchestras (China Philharmonic, Atlanta Symphony), indie bands (Magik*Magik), contemporary classical groups (Ensemble Signal, Contemporaneous), and in operas and experimental theater (Opera Saratoga, Object Collection).